In 1501 Michelangelo was commissioned to create the David by the Arte della Lana (Guild of Wool Merchant), who were responsible for the upkeep and the decoration of the Cathedral in Florence.
Once the statue was completed, a committee of the highest ranking citizens and artists decided that it must be placed in the main square of the town, in front of the Palazzo Vecchio, the Town Hall. It was the first time since antiquity that a large statue of a nude was to be exhibited in a public place. This was only allowed thanks to the action of two forces, which by a fortunate chance complemented each other: the force of an artist able to create, for a political community, the symbol of its highest political ideals, and, on the other hand, that of a community, which understood the power of this symbol. "Strength" and "Wrath" were the two most important virtues, characteristic of the ancient patron of the city Hercules. Both these qualities, passionate strength and wrath, were embodied in the statue of David.
One might think that, in the 21st century, the Attorney General might appreciate a similar justification for the artistic presentations of Justice in the Great Hall of the Justice Department.