In the mood for something quiet, reflective, moody, autumnal with amazingly pretty and interesting chords?

Kids all jumping bonfires on the heath
Kids all jumping bonfires on the heath
How’m I going to get myself to sleep?

Late October sunlight in the wood
Late October sunlight in the wood
Nothing here quite moves the way it should

Laughing windows up and down the street
Laughing windows up and down the street
And the walls are closing in on me

But back on Vulfpeck, this jam is entirely about the bass and if you are entirely about the bass you will like it.



For the first entire minute of the song, Joe Dart plays nothing but straight sixteenth notes. (Actually, that's not easy by itself.) It's a trap. He's just setting the table for the funk bomb that's about to drop on your head.

Am fully on board.

Hey Jim, check this out. Girl covers the drums on Tool's Forty-Six & 2:



:devil:

Cool.

She misses a lot of fills, though. Check out smoking hot Meytal Cohen doing it properly:
http://youtu.be/4Yw8aaqnnrg
Not trying to one up you, just that she is a bad ass and you can really appreciate how intense the drum licks are when you see her feet fly on the double bass drums.

:devil:

I've been trying to accept in my head how many thousand$ of dollar$' worth of cymbal$ tho$e young ladie$ have. Cymbal$ ain't cheap.

This comes on the heels of his old tyme effort. Nice work doctor.

In 1985, Philadelphia had its own punk band.

No band was more punk, and no band represented Philly more than this, in 1985. They were absolutely legit and captured something.

I always loved the song, and I love this version.

I've found the vocals Leann Rimes did, when she was still in her early teens, to be as charming as that pan flute version.

Lil Griff put that cut on our NZ travel playlist. :)

I'm not sure this is tiny, but it sure is good.

:thumbsup: authentic as fuck

The highest praise.