Witch - Jean Tepperman


They told me
I smile prettier with my mouth closed.
They said--
better cut your hair--
long, it's all frizzy,
looks Jewish.
They hushed me in restaurants
looking around them
while the mirrors above the table
jeered infinite reflections
of a raw, square face.
They questioned me
when I sang in the street.
They stood taller at tea
smoothly explaining
my eyes on the saucers,
trying to hide the hand grenade
in my pants pocket,
or crouched behind the piano.
They mocked me with magazines
full of breasts and lace,
published in their triumph
when the doctor's oldest son
married a nice sweet girl.
They told me tweed-suit stories
of various careers of ladies.
I woke up at night
afraid of dying.
They built screens and room dividers
to hide unsightly desire
sixteen years old
raw and hopeless
they buttoned me into dresses
covered with pink flowers.
They waited for me to finish
then continued the conversation.
I have been invisible,
weird and supernatural.
I want my black dress.
I want my hair
curling wild around me.
I want my broomstick
from the closet where I hid it.
Tonight I meet my sisters
in the graveyard.
Around midnight
if you stop at a red light
in the wet city traffic,
watch for us against the moon.
We are screaming,
we are flying,
laughing, and won't stop.

cold cold world by W. Jude Aher

in the night
the deep deep night
do i dance
where mirror images
are lost within

i bleed across
the shattered hopes
the ice reflections

would you
that a child
might live,
without seeing their eyes
without hearing their cries

black in light
am i wandering
in dreams
where only
shadows dance

oh,
this cold cold world
of chance

i see their eyes
i hear their cries
that a child
might live,
would i…

- jude

This guy looks like elsp. to me. Or maybe it's just a generational thing that I see similarities in.

http://famouspoetsandpoems.com/pictu..._jude_aher.jpg

http://famouspoetsandpoems.com/poets/w__jude_aher/photo

I'm feeling all nostalgic-like.


DULCE ET DECORUM EST

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.

Gas! Gas! Quick, boys! – An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling,
And flound'ring like a man in fire or lime9 . . .
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie; Dulce et Decorum est
Pro patria mori.

Turns out I have a closer connection to a poet I much admire than I thought.
The arts centre where I do occupational therapy (pottery) is an old school.
I knew this - I was in two musicals based in the theatre there.
But the blue plaque was put up well after my am-dram days - after his death in 2007.

Vernon Scannell was Aylesbury born, and I did not know this.
My first English teacher almost definitely did - she was the one who read us A Case of Murder (here).
And he went to school in the building now known as the Queens Park Arts Centre.

So as this thread reminded me that there are other poetry lovers out there, I'm also sharing this one of his. Which I find delightfully creepy. Reminds me very much of Betjamin's False Security, which I also found disturbing, but memorable. And dare I say it, a bit Dr Who?!

I probably should have posted one of Scannell's war poems - to continue the theme - but to be honest, it's always been the childhood ones that appealed to me.

Hide & Seek.
Call out, call loud -
"I'm ready. Come and find me!"
The sacks in the tool-shed smell like the seaside.
They'll never find you in the salty dark,
But be careful that your feet aren't sticking out,
Wiser not to risk another shout.
The floor is cold.
They'll probably be searching the bushes, near the swing.
Whatever happens you mustn't sneeze
When they come prowling in.
And here they are, whispering at the door
You've never heard them sound so hushed before.
Don't breathe, don't move, stay dumb.
Hide in your blindness, they're moving closer
Someone stumbles, mutters
Their words and laughter scuttle and they're gone,
But don't come out just yet, they'll try the lane
And then the greenhouse and back here again.
They must be thinking that you're very clever,
Getting more puzzled as they search all over.
It seems a long time since they went away.
Your legs are stiff, the cold bites through your coat.
The dark damp smell of sand moves in your throat.
It's time to let them know that you're the winner
Push off the sacks, uncurl and stretch.
That's better! Out of the shed and call to them -
"I've won! Here I am! Come and own up! I've caught you!"
The darkening garden watches, nothing stirs
The bushes hold their breath, the sun is gone
Yes, here you are - But where are they who sought you?

Vernon Scannell
(late of Aylesbury)

@ Bri: that was probably the first poem that ever really got me. I remember our English teacher reading it out to us at school.

It really got me, too, when I first read it. A great poem, isn't it?

Under One Small Star


My apologies to chance for calling it necessity.
My apologies to necessity if I'm mistaken, after all.
Please, don't be angry, happiness, that I take you as my due.
May my dead be patient with the way my memories fade.
My apologies to time for all the world I overlook each second.
My apologies to past loves for thinking that the latest is the first.
Forgive me, open wounds, for pricking my finger.
I apologize for my record of minutes to those who cry from
the depths.
I apologize to those who wait in railway stations for being asleep
today at five a.m.
Pardon me, hounded hope, for laughing from time to time.
Pardon me, deserts, that I don't rush to you bearing a spoonful
of water.
And you, falcon, unchanging year after year, always in the
same cage,
your gaze always fixed on the same point in space,
forgive me, even if it turns out you were stuffed.
My apologies to the felled tree for the table's four legs.
My apologies to great questions for small answers.
Truth, please don't pay me much attention.
Dignity, please be magnanimous.
Bear with me, O mystery of existence, as I pluck the occasional
thread from your train.
Soul, don't take offense that I've only got you now and then.
My apologies to everything that I can't be everywhere at once.
My apologies to everyone that I can't be each woman and
each man.
I know I won't be justfied as long as I live,
since I myself stand in my own way.
Don't bear me ill will, speech, that I borrow weighty words,
then labor heavily so that they may seem light.


- Wislawa Symborska

"Invictus" by William Ernest Henley

Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.

Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds and shall find me unafraid.

It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.

I am the Reaper

I am the Reaper.
All things with heedful hook
Silent I gather.
Pale roses touched with the spring,
Tall corn in summer,
Fruits rich with autumn, and frail winter blossoms—
Reaping, still reaping—
All things with heedful hook
Timely I gather.

I am the Sower.
All the unbodied life
Runs through my seed-sheet.
Atom with atom wed,
Each quickening the other,
Fall through my hands, ever changing, still changeless.
Ceaselessly sowing,
Life, incorruptible life,
Flows from my seed-sheet.

Maker and breaker,
I am the ebb and the flood,
Here and Hereafter,
Sped through the tangle and coil
Of infinite nature,
Viewless and soundless I fashion all being.
Taker and giver,
I am the womb and the grave,
The Now and the Ever

William Ernest Henley

Double Ballade on the Nothingness of Things

The big teetotum twirls,
And epochs wax and wane
As chance subsides or swirls;
But of the loss and gain
The sum is always plain.
Read on the mighty pall,
The weed of funeral
That covers praise and blame,
The -isms and the -anities,
Magnificence and shame:--
"O Vanity of Vanities!"

The Fates are subtle girls!
They give us chaff for grain.
And Time, the Thunderer, hurls,
Like bolted death, disdain
At all that heart and brain
Conceive, or great or small,
Upon this earthly ball.
Would you be knight and dame?
Or woo the sweet humanities?
Or illustrate a name?
O Vanity of Vanities!

We sound the sea for pearls,
Or drown them in a drain;
We flute it with the merles,
Or tug and sweat and strain;
We grovel, or we reign;
We saunter, or we brawl;
We search the stars for Fame,
Or sink her subterranities;
The legend's still the same:--
"O Vanity of Vanities!"

Here at the wine one birls,
There some one clanks a chain.
The flag that this man furls
That man to float is fain.
Pleasure gives place to pain:
These in the kennel crawl,
While others take the wall.
She has a glorious aim,
He lives for the inanities.
What come of every claim?
O Vanity of Vanities!

Alike are clods and earls.
For sot, and seer, and swain,
For emperors and for churls,
For antidote and bane,
There is but one refrain:
But one for king and thrall,
For David and for Saul,
For fleet of foot and lame,
For pieties and profanities,
The picture and the frame:--
"O Vanity of Vanities!"

Life is a smoke that curls--
Curls in a flickering skein,
That winds and whisks and whirls,
A figment thin and vain,
Into the vast Inane.
One end for hut and hall!
One end for cell and stall!
Burned in one common flame
Are wisdoms and insanities.
For this alone we came:--
"O Vanity of Vanities!"

Envoy
Prince, pride must have a fall.
What is the worth of all
Your state's supreme urbanities?
Bad at the best's the game.
Well might the Sage exclaim:--
"O Vanity of Vanities!"

William Ernest Henley

good finds Merc. I enjoyed those.

I loved this, it made me think of my friend fighting breast cancer... and then the last line made me think of this.....






....ah, well, can't win every time

Beautiful...

So many wonderful poems. Larkin's poem that Sundae posted takes me back to my English A-levels, when I and a bunch of other 17 year olds 'discovered' Larkin for the first time. Ah bliss.

@ Merc: Invictus is one my favourite poems of all time. Utterly beautiful.

Here's one of my other favourite poems. It's a little long; but I think it's marvellous. Oliver Goldsmith's The Deserted Village. Written after the death of the poet's brother, and in the wake of the Inclosure Act, and the 'death of the countryside' which followed. I think it captures so much of the anger and sorrow at a world which was changing, forcibly; and the coldness of the new age of capital:

The Deserted Village (part 1)
by Oliver Goldsmith

Sweet Auburn! loveliest village of the plain,
Where health and plenty cheered the labouring swain,
Where smiling spring its earliest visits paid,
And parting summer's lingering blooms delayed:
Dear lovely bowers of innocence and ease,
Seats of my youth, where every sport could please,
How often have I loitered o'er your green,
Where humble happiness endeared each scene;
How often have I paused on every charm,
The sheltered cot, the cultivated farm,
The never-failing brook, the busy mill,
The decent church that topped the neighbouring hill,
The hawthorn bush, with seats beneath the shade,
For talking age and whispering lovers made;
How often have I blessed the coming day,
When toil remitting lent its turn to play,
And all the village train, from labour free,
Led up their sports beneath the spreading tree:
While many a pastime circled in the shade,
The young contending as the old surveyed;
And many a gambol frolicked o'er the ground,
And sleights of art and feats of strength went round;
And still as each repeated pleasure tired,
Succeeding sports the mirthful band inspired;
The dancing pair that simply sought renown
By holding out to tire each other down!
The swain mistrustless of his smutted face,
While secret laughter tittered round the place;
The bashful virgin's sidelong look of love,
The matron's glance that would those looks reprove:
These were thy charms, sweet village; sports like these,
With sweet succession, taught even toil to please;
These round thy bowers their cheerful influence shed,
These were thy charms -But all these charms are fled.

Part Two
 

Sweet smiling village, loveliest of the lawn,
Thy sports are fled, and all thy charms withdrawn;
Amidst thy bowers the tyrant's hand is seen,
And desolation saddens all thy green:
One only master grasps the whole domain,
And half a tillage stints thy smiling plain:
No more thy glassy brook reflects the day,
But choked with sedges works its weedy way.
Along thy glades, a solitary guest,
The hollow-sounding bittern guards its nest;
Amidst thy desert walks the lapwing flies,
And tires their echoes with unvaried cries.
Sunk are thy bowers, in shapeless ruin all,
And the long grass o'ertops the mouldering wall;
And, trembling, shrinking from the spoiler's hand,
Far, far away, thy children leave the land.

Ill fares the land, to hastening ills a prey,
Where wealth accumulates, and men decay:
Princes and lords may flourish, or may fade;
A breath can make them, as a breath has made;
But a bold peasantry, their country's pride,
When once destroyed can never be supplied.

A time there was, ere England's griefs began,
When every rood of ground maintained its man;
For him light labour spread her wholesome store,
Just gave what life required, but gave no more:
His best companions, innocence and health;
And his best riches, ignorance of wealth.

But times are altered; trade's unfeeling train
Usurp the land and dispossess the swain;
Along the lawn, where scattered hamlet's rose,
Unwieldy wealth and cumbrous pomp repose,
And every want to opulence allied,
And every pang that folly pays to pride.
Those gentle hours that plenty bade to bloom,
Those calm desires that asked but little room,
Those healthful sports that graced the peaceful scene,
Lived in each look, and brightened all the green;
These, far departing, seek a kinder shore,
And rural mirth and manners are no more.

Part three
 

Sweet Auburn! parent of the blissful hour,
Thy glades forlorn confess the tyrant's power.
Here as I take my solitary rounds,
Amidst thy tangling walks and ruined grounds,
And, many a year elapsed, return to view
Where once the cottage stood, the hawthorn grew,
Remembrance wakes with all her busy train,
Swells at my breast, and turns the past to pain.

In all my wanderings round this world of care,
In all my griefs -and God has given my share -
I still had hopes my latest hours to crown,
Amidst these humble bowers to lay me down;
To husband out life's taper at the close,
And keep the flame from wasting by repose.
I still had hopes, for pride attends us still,
Amidst the swains to show my book-learned skill,
Around my fire an evening group to draw,
And tell of all I felt and all I saw;
And, as a hare, whom hounds and horns pursue,
Pants to the place from whence at first she flew,
I still had hopes, my long vexations passed,
Here to return -and die at home at last.

O blest retirement, friend to life's decline,
Retreats from care, that never must be mine,
How happy he who crowns in shades like these
A youth of labour with an age of ease;
Who quits a world where strong temptations try,
And, since 'tis hard to combat, learns to fly!
For him no wretches, born to work and weep,
Explore the mine, or tempt the dangerous deep;
No surly porter stands in guilty state
To spurn imploring famine from the gate;
But on he moves to meet his latter end,
Angels round befriending Virtue's friend;
Bends to the grave with unperceived decay,
While Resignation gently slopes the way;
All, all his prospects brightening to the last,
His Heaven commences ere the world be past!

Part four
 

Sweet was the sound when oft at evening's close
Up yonder hill the village murmur rose;
There, as I passed with careless steps and slow,
The mingling notes came softened from below;
The swain responsive as the milkmaid sung,
The sober herd that lowed to meet their young;
The noisy geese that gabbled o'er the pool,
The playful children just let loose from school;
The watchdog's voice that bayed the whisp'ring wind,
And the loud laugh that spoke the vacant mind;
These all in sweet confusion sought the shade,
And filled each pause the nightingale had made.
But now the sounds of population fail,
No cheerful murmurs fluctuate in the gale,
No busy steps the grass-grown footway tread,
For all the bloomy flush of life is fled.
All but yon widowed, solitary thing,
That feebly bends beside the plashy spring;
She, wretched matron, forced in age for bread
To strip the brook with mantling cresses spread,
To pick her wintry faggot from the thorn,
To seek her nightly shed, and weep till morn;
She only left of all the harmless train,
The sad historian of the pensive plain.

Near yonder copse, where once the garden smiled,
And still where many a garden flower grows wild;
There, where a few torn shrubs the place disclose,
The village preacher's modest mansion rose.
A man he was to all the country dear,
And passing rich with forty pounds a year;
Remote from towns he ran his godly race,
Nor e'er had changed, nor wished to change, his place;
Unpractised he to fawn, or seek for power,
By doctrines fashioned to the varying hour;
Far other aims his heart had learned to prize,
More skilled to raise the wretched than to rise.
His house was known to all the vagrant train,
He chid their wanderings, but relieved their pain;
The long remembered beggar was his guest,
Whose beard descending swept his aged breast;
The ruined spendthrift, now no longer proud,
Claimed kindred there, and had his claims allowed;
The broken soldier, kindly bade to stay,
Sat by his fire, and talked the night away;
Wept o'er his wounds, or, tales of sorrow done,
Shouldered his crutch, and showed how fields were won.
Pleased with his guests, the good man learned to glow,
And quite forgot their vices in their woe;
Careless their merits or their faults to scan,
His pity gave ere charity began.

Part 5
 

Thus to relieve the wretched was his pride,
And e'en his failings leaned to Virtue's side;
But in his duty prompt at every call,
He watched and wept, he prayed and felt, for all.
And, as a bird each fond endearment tries
To tempt its new-fledged offspring to the skies,
He tried each art, reproved each dull delay,
Allured to brighter worlds, and led the way.

Beside the bed where parting life was laid,
And sorrow, guilt, and pain, by turns dismayed,
The reverend champion stood. At his control
Despair and anguish fled the struggling soul;
Comfort came down the trembling wretch to raise,
And his last faltering accents whispered praise.

At church, with meek and unaffected grace,
His looks adorned the venerable place;
Truth from his lips prevailed with double sway,
And fools, who came to scoff, remained to pray.
The service passed, around the pious man,
With steady zeal, each honest rustic ran;
Even children followed with endearing wile,
And plucked his gown, to share the good man's smile.
His ready smile a parent's warmth expressed,
Their welfare pleased him, and their cares distressed;
To them his heart, his love, his griefs were given,
But all his serious thoughts had rest in Heaven.
As some tall cliff, that lifts its awful form,
Swells from the vale, and midway leaves the storm,
Though round its breast the rolling clouds are spread,
Eternal sunshine settles on its head.

Part six
 

Beside yon straggling fence that skirts the way,
With blossomed furze unprofitably gay,
There, in his noisy mansion, skilled to rule,
The village master taught his little school;
A man severe he was, and stern to view;
I knew him well, and every truant knew;
Well had the boding tremblers learned to trace
The day's disasters in his morning face;
Full well they laughed, with counterfeited glee,
At all his jokes, for many a joke had he;
Full well the busy whisper, circling round,
Conveyed the dismal tidings when he frowned;
Yet he was kind; or if severe in aught,
The love he bore to learning was in fault.
The village all declared how much he knew;
'Twas certain he could write, and cipher too;
Lands he could measure, terms and tides presage,
And even the story ran that he could gauge.
In arguing too, the parson owned his skill,
For e'en though vanquished, he could argue still;
While words of learned length and thundering sound
Amazed the gazing rustics ranged around,
And still they gazed, and still the wonder grew
That one small head could carry all he knew.

But past is all his fame. The very spot
Where many a time he triumphed is forgot.
Near yonder thorn, that lifts its head on high,
Where once the signpost caught the passing eye,
Low lies that house where nut-brown draughts inspired,
Where grey-beard mirth and smiling toil retired,
Where village statesmen talked with looks profound,
And news much older than their ale went round.
Imagination fondly stoops to trace
The parlour splendours of that festive place:
The white-washed wall, the nicely sanded floor,
The varnished clock that clicked behind the door;
The chest contrived a double debt to pay, -
A bed by night, a chest of drawers by day;
The pictures placed for ornament and use,
The twelve good rules, the royal game of goose;
The hearth, except when winter chilled the day,
With aspen boughs, and flowers, and fennel gay;
While broken teacups, wisely kept for show,
Ranged o'er the chimney, glistened in a row.

Part seven
 

Vain transitory splendours! Could not all
Reprieve the tottering mansion from its fall!
Obscure it sinks, nor shall it more impart
An hour's importance to the poor man's heart;
Thither no more the peasant shall repair
To sweet oblivion of his daily care;
No more the farmer's news, the barber's tale,
No more the woodman's ballad shall prevail;
No more the smith his dusky brow shall clear,
Relax his ponderous strength, and lean to hear;
The host himself no longer shall be found
Careful to see the mantling bliss go round;
Nor the coy maid, half willing to be pressed,
Shall kiss the cup to pass it to the rest.

Yes! let the rich deride, the proud disdain,
These simple blessings of the lowly train;
To me more dear, congenial to my heart,
One native charm, than all the gloss of art.
Spontaneous joys, where Nature has its play,
The soul adopts, and owns their first-born sway;
Lightly they frolic o'er the vacant mind,
Unenvied, unmolested, unconfined:
But the long pomp, the midnight masquerade,
With all the freaks of wanton wealth arrayed,
In these, ere triflers half their wish obtain,
The toiling pleasure sickens into pain;
And, even while fashion's brightest arts decoy,
The heart distrusting asks, if this be joy.

Ye friends to truth, ye statesmen, who survey
The rich man's joys increase, the poor's decay,
'Tis yours to judge how wide the limits stand
Between a splendid and a happy land.
Proud swells the tide with loads of freighted ore,
And shouting Folly hails them from her shore;
Hoards even beyond the miser's wish abound,
And rich men flock from all the world around.
Yet count our gains. This wealth is but a name
That leaves our useful products still the same.
Not so the loss. The man of wealth and pride
Takes up a space that many poor supplied;
Space for his lake, his park's extended bounds,
Space for his horses, equipage, and hounds;
The robe that wraps his limbs in silken sloth
Has robbed the neighbouring fields of half their growth;
His seat, where solitary sports are seen,
Indignant spurns the cottage from the green;
Around the world each needful product flies,
For all the luxuries the world supplies:
While thus the land adorned for pleasure, all
In barren splendour feebly waits the fall.

As some fair female unadorned and plain,
Secure to please while youth confirms her reign,
Slights every borrowed charm that dress supplies,
Nor shares with art the triumph of her eyes;
But when those charms are passed, for charms are frail,
When time advances and when lovers fail,
She then shines forth, solicitous to bless,
In all the glaring impotence of dress.
Thus fares the land, by luxury betrayed,
In nature's simplest charms at first arrayed;
But verging to decline, its splendours rise,
Its vistas strike, its palaces surprise;
While, scourged by famine, from the smiling land
The mournful peasant leads his humble band;
And while he sinks, without one arm to save,
The country blooms -a garden, and a grave.

Part eight
 

Where then, ah! where, shall poverty reside,
To 'scape the pressure of contiguous pride?
If to some common's fenceless limits strayed,
He drives his flock to pick the scanty blade,
Those fenceless fields the sons of wealth divide,
And even the bare-worn common is denied.
If to the city sped -what waits him there?
To see profusion that he must not share;
To see ten thousand baneful arts combined
To pamper luxury, and thin mankind;
To see those joys the sons of pleasure know
Extorted from his fellow creature's woe.
Here, while the courtier glitters in brocade,
There the pale artist plies the sickly trade;
Here, while the proud their long-drawn pomps display,
There the black gibbet glooms beside the way.
The dome where Pleasure holds her midnight reign
Here, richly decked, admits the gorgeous train;
Tumultuous grandeur crowds the blazing square,
The rattling chariots clash, the torches glare.
Sure scenes like these no troubles e'er annoy!
Sure these denote one universal joy!
Are these thy serious thoughts? -Ah, turn thine eyes
Where the poor houseless shivering female lies.
She once, perhaps, in a village plenty blessed,
Has wept at tales of innocence distressed;
Her modest looks the cottage might adorn,
Sweet as the primrose peeps beneath the thorn;
Now lost to all; her friends, her virtue fled,
Near her betrayer's door she lays her head,
And, pinched with cold, and shrinking from the shower,
With heavy heart deplores that luckless hour,
When idly first, ambitious of the town,
She left her wheel and robes of country brown.

Do thine, sweet Auburn, thine, the loveliest train,
Do thy fair tribes participate her pain?
E'en now, perhaps, by cold and hunger led,
At proud men's doors they ask a little bread!

Ah, no! -To distant climes, a dreary scene,
Where half the convex world intrudes between,
Through torrid tracts with fainting steps they go,
Where wild Altama murmurs to their woe.
Far different there from all that charmed before,
The various terrors of that horrid shore;
Those blazing suns that dart a downward ray
And fiercely shed intolerable day;
Those matted woods where birds forget to sing,
But silent bats in drowsy clusters cling;
Those poisonous fields with rank luxuriance crowned,
Where the dark scorpion gathers death around;
Where at each step the stranger fears to wake
The rattling terrors of the vengeful snake;
Where crouching tigers wait their hapless prey,
And savage men more murderous still than they;
While oft in whirls the mad tornado flies,
Mingling the ravaged landscape with the skies.
Far different these from every former scene,
The cooling brook, the grassy-vested green,
The breezy covert of the warbling grove,
That only sheltered thefts of harmless love.

Part nine
 

Good Heaven! what sorrows gloomed that parting day
That called them from their native walks away;
When the poor exiles, every pleasure passed,
Hung round their bowers, and fondly looked their last,
And took a long farewell, and wished in vain
For seats like these beyond the western main;
And, shuddering still to face the distant deep,
Returned and wept, and still returned to weep.
The good old sire, the first prepared to go
To new-found worlds, and wept for others' woe;
But for himself, in conscious virtue brave,
He only wished for worlds beyond the grave.
His lovely daughter, lovelier in her tears,
The fond companion of his helpless years,
Silent went next, neglectful of her charms,
And left a lover's for a father's arms.
With louder plaints the mother spoke her woes,
And blessed the cot where every pleasure rose;
And kissed her thoughtless babes with many a tear,
And clasped them close, in sorrow doubly dear;
Whilst her fond husband strove to lend relief
In all the silent manliness of grief.

O luxury! thou cursed by Heaven's decree,
How ill exchanged are things like these for thee!
How do thy potions, with insidious joy,
Diffuse thy pleasures only to destroy!
Kingdoms by thee, to sickly greatness grown,
Boast of a florid vigour not their own;
At every draught more large and large they grow,
A bloated mass of rank unwieldly woe;
Till, sapped their strength, and every part unsound,
Down, down they sink, and spread the ruin round.

Even now the devastation is begun,
And half the business of destruction done;
Even now, methinks, as pondering here I stand,
I see the rural virtues leave the land:
Down where yon anchoring vessel spreads the sail
That idly waiting flaps with every gale,
Downward they move, a melancholy band,
Pass from the shore, and darken all the strand.
Contented toil, and hospitable care,
And kind connubial tenderness, are there;
And piety with wishes placed above,
And steady loyalty, and faithful love.
And thou, sweet Poetry, thou loveliest maid,
Still first to fly where sensual joys invade;
Unfit in these degenerate times of shame
To catch the heart, or strike for honest fame;
Dear charming nymph, neglected and decried,
My shame in crowds, my solitary pride;
Thou source of all my bliss, and all my woe,
That found'st me poor at first, and keep'st me so;
Thou guide by which the nobler arts excel,
Thou nurse of every virtue, fare thee well!
Farewell, and oh! where'er thy voice be tried,
On Torno's cliffs, or Pambamarca's side,
Whether where equinoctial fervours glow,
Or winter wraps the polar world in snow,
Still let thy voice, prevailing over time,
Redress the rigours of th' inclement clime;
Aid slighted truth; with thy persuasive strain
Teach erring man to spurn the rage of gain;
Teach him that states of native strength possessed,
Though very poor, may still be very blessed;
That trade's proud empire hastes to swift decay,
As ocean sweeps the laboured mole away;
While self-dependent power can time defy,
As rocks resist the billows and the sky.

Quick! dial 999, Dana's pants are on fire!

*grins*

I must admit, I didn't realise quite how long until i was posting it here.

Wow Dana, good stuff. You are right it is a bit long. I had to read it in bits. Beautiful.

I will go back and read that, chick.
I like Oliver Goldsmith.
In fact may print it out - I don't know why, but I've never got on with longer poems on-screen.
Even the short ones I like I feel I need to print - there is something about having them physically.

This one has been in my head during this snowy week, purely for the line "As they slogged up to Arras with rifle and pack" because walking over sheet ice felt like slogging (melodramatic on my part of course!)

The General

"Good-morning; good-morning!" the General said
When we met him last week on our way to the line.
Now the soldiers he smiled at are most of ’em dead,
And we’re cursing his staff for incompetent swine.
"He’s a cheery old card," grunted Harry to Jack
As they slogged up to Arras with rifle and pack.

But he did for them both by his plan of attack.

Sigfried Sassoon

Saw this posted on a board here at the college, said board currently dedicated to domestic violence issues. I found it quite sad. There are those of you who know about what happened to a relative of mine about a year and a half ago. I don't want to revisit that: you know if you know.

Anyway, thought it worth posting.

Another Woman
Carol Geneya Kaplan
June 22, 2002


Today another woman died
and not on a foreign field
and not with a rifle strapped to her back,
and not with a large defense of tanks
rumbling and rolling behind her.

She died without CNN covering her war.
She died without talk of intelligent bombs
and strategic targets
The target was simply her face, her back
her pregnant belly.

The target was her precious flesh
that was once composed like music
in her mother’s body and sung
in the anthem of birth.

The target was this life
that had lived its own dear wildness,
had been loved and not loved,
had danced and not danced.

A life like yours or mine
that had stumbled up
from a beginning
and had learned to walk
and had learned to read.
and had learned to sing.

Another woman died today.
not far from where you live;
Just there, next door where the tall light
falls across the pavement.

Just there, a few steps away
where you’ve often heard shouting,
Another woman died today.

She was the same girl
her mother used to kiss;
the same child you dreamed
beside in school.
The same baby her parents
walked in the night with
and listened and listened and listened
For her cries even while they slept.

And someone has confused his rage
with this woman’s only life.


- Carol Geneya Kaplan

The Day is Done

THE DAY is done, and the darkness
Falls from the wings of Night,
As a feather is wafted downward
From an eagle in his flight.

I see the lights of the village
Gleam through the rain and the mist,
And a feeling of sadness comes o'er me
That my soul cannot resist:

A feeling of sadness and longing,
That is not akin to pain,
And resembles sorrow only
As the mist resembles the rain.

Come, read to me some poem,
Some simple and heartfelt lay,
That shall soothe this restless feeling,
And banish the thoughts of day.

Not from the grand old masters,
Not from the bards sublime,
Whose distant footsteps echo
Through the corridors of Time.

For, like strains of martial music,
Their mighty thoughts suggest
Life's endless toil and endeavor;
And to-night I long for rest.

Read from some humbler poet,
Whose songs gushed from his heart,
As showers from the clouds of summer,
Or tears from the eyelids start;

Who, through long days of labor,
And nights devoid of ease,
Still heard in his soul the music
Of wonderful melodies.

Such songs have power to quiet
The restless pulse of care,
And come like the benediction
That follows after prayer.

Then read from the treasured volume
The poem of thy choice,
And lend to the rhyme of the poet
The beauty of thy voice.

And the night shall be filled with music,
And the cares, that infest the day,
Shall fold their tents, like the Arabs,
And as silently steal away.

~Henry Wadsworth Longfellow

Gravdigr. I read your post yesterday. What a great poem. I like it.

Here is something different. I wish I could hear it better in my head. The way it's suppose to sound. Piece of cake for Limey. It would be cool to have a reading video format. :)


Address to the Devil

by Robert Burns
Robert Burns O Prince, O chief of many throned pow'rs!
That led th' embattled seraphim to war!
(Milton, Paradise Lost)

O thou! whatever title suit thee,—
Auld Hornie, Satan, Nick, or Clootie!
Wha in yon cavern, grim an' sootie,
Clos'd under hatches,
Spairges about the brunstane cootie
To scaud poor wretches!

Hear me, Auld Hangie, for a wee,
An' let poor damned bodies be;
I'm sure sma' pleasure it can gie,
E'en to a deil,
To skelp an' scaud poor dogs like me,
An' hear us squeel!

Great is thy pow'r, an' great thy fame;
Far ken'd an' noted is thy name;
An' tho' yon lowin heugh's thy hame,
Thou travels far;
An' faith! thou's neither lag nor lame,
Nor blate nor scaur.

Whyles, ranging like a roarin lion,
For prey a' holes an' corners tryin;
Whyles, on the strong-wing'd tempest flyin,
Tirlin' the kirks;
Whyles, in the human bosom pryin,
Unseen thou lurks.

I've heard my rev'rend graunie say,
In lanely glens ye like to stray;
Or whare auld ruin'd castles gray
Nod to the moon,
Ye fright the nightly wand'rer's way
Wi' eldritch croon.

When twilight did my graunie summon
To say her pray'rs, douce honest woman!
Aft yont the dike she's heard you bummin,
Wi' eerie drone;
Or, rustlin thro' the boortrees comin,
Wi' heavy groan.

Ae dreary, windy, winter night,
The stars shot down wi' sklentin light,
Wi' you mysel I gat a fright,
Ayont the lough;
Ye like a rash-buss stood in sight,
Wi' waving sugh.

The cudgel in my nieve did shake,
Each bristl'd hair stood like a stake,
When wi' an eldritch, stoor "Quaick, quaick,"
Amang the springs,
Awa ye squatter'd like a drake,
On whistling wings.

Let warlocks grim an' wither'd hags
Tell how wi' you on ragweed nags
They skim the muirs an' dizzy crags
Wi' wicked speed;
And in kirk-yards renew their leagues,
Owre howket dead.

Thence, countra wives wi' toil an' pain
May plunge an' plunge the kirn in vain;
For oh! the yellow treasure's taen
By witchin skill;
An' dawtet, twal-pint hawkie's gaen
As yell's the bill.

Thence, mystic knots mak great abuse,
On young guidmen, fond, keen, an' croose;
When the best wark-lume i' the house,
By cantraip wit,
Is instant made no worth a louse,
Just at the bit.

When thowes dissolve the snawy hoord,
An' float the jinglin icy-boord,
Then water-kelpies haunt the foord
By your direction,
An' nighted trav'lers are allur'd
To their destruction.

And aft your moss-traversing spunkies
Decoy the wight that late an drunk is:
The bleezin, curst, mischievous monkeys
Delude his eyes,
Till in some miry slough he sunk is,
Ne'er mair to rise.

When Masons' mystic word an grip
In storms an' tempests raise you up,
Some cock or cat your rage maun stop,
Or, strange to tell!
The youngest brither ye wad whip
Aff straught to hell!

Lang syne, in Eden'd bonie yard,
When youthfu' lovers first were pair'd,
An all the soul of love they shar'd,
The raptur'd hour,
Sweet on the fragrant flow'ry swaird,
In shady bow'r;

Then you, ye auld snick-drawin dog!
Ye cam to Paradise incog,
And play'd on man a cursed brogue,
(Black be your fa'!)
An gied the infant warld a shog,
Maist ruin'd a'.

D'ye mind that day, when in a bizz,
Wi' reeket duds an reestet gizz,
Ye did present your smoutie phiz
Mang better folk,
An' sklented on the man of Uz
Your spitefu' joke?

An' how ye gat him i' your thrall,
An' brak him out o' house and hal',
While scabs and blotches did him gall,
Wi' bitter claw,
An' lows'd his ill-tongued, wicked scaul,
Was warst ava?

But a' your doings to rehearse,
Your wily snares an' fechtin fierce,
Sin' that day Michael did you pierce,
Down to this time,
Wad ding a Lallan tongue, or Erse,
In prose or rhyme.

An' now, Auld Cloots, I ken ye're thinkin,
A certain Bardie's rantin, drinkin,
Some luckless hour will send him linkin,
To your black pit;
But faith! he'll turn a corner jinkin,
An' cheat you yet.

But fare you weel, Auld Nickie-ben!
O wad ye tak a thought an' men'!
Ye aiblins might—I dinna ken—
Still hae a stake:
I'm wae to think upo' yon den,
Ev'n for your sake!

Yeah, I'd hafta hear that in a native accent to really get something out of it.

"Spairges about the brunstane cootie", WTF?:p:

hehe Yeah, I saw that.

I think the title should be,Address To The Deil

and this is a translation. I do not vouch for its authenticity.
http://www.worldburnsclub.com/poems/...o_the_deil.htm

Can't find Address to the Deil on YouTube, but the Address tae the Haggis should show you that it's just as incomprehensible when read out loud:

Haggis scares me.

haggis!

“Your Luck Is About To Change”
by Susan Elizabeth Howe

(A fortune cookie)
Ominous inscrutable Chinese news
to get just before Christmas,
considering my reasonable health,
marriage spicy as moo-goo-gai-pan,
career running like a not-too-old Chevrolet.
Not bad, considering what can go wrong:
the bony finger of Uncle Sam
might point out my husband,
my own national guard,
and set him in Afghanistan;
my boss could take a personal interest;
the pain in my left knee could spread to my right.
Still, as the old year tips into the new,
I insist on the infant hope, gooing and kicking
his legs in the air. I won't give in
to the dark, the sub-zero weather, the fog,
or even the neighbors' Nativity.
Their four-year-old has arranged
his whole legion of dinosaurs
so they, too, worship the child,
joining the cow and sheep. Or else,
ultimate mortals, they've come to eat
ox and camel, Mary and Joseph,
then savor the newborn babe.

I liked that.

here's one from Teddy Hughes: I like a poet who can put "cunt" in a poem.


Do Not Pick Up The Telephone – Ted Hughes




That plastic Buddha jars out a Karate screech



Before the soft words with their spores
The cosmic breath of the gravestone



Death invented the phone it looks like the altar of death
Do not worship the telephone
It drags its worshippers into actual graves
With a variety of devices, through a variety of disguised voices



Sit godless when you hear the religious wail of the telephone



Panties are hotting up their circle for somebody to burn in
Nipples are evangelizing bringing a sword or at least a razor
Cunt is proclaiming heaven on earth i.e. death to the infidel



Do not think your house is a hideout it is a telephone
Do not think you walk on your own road, you walk down a telephone
Do not think you sleep in the hand of God you sleep in the mouthpiece of a telephone
Do not think your future is yours it waits upon a telephone
Do not think your thoughts are your own thoughts they are the toys of the telephone
Do not think these days are days they are the sacrificial priests of the telephone
The secret police of the telephone



O phone get out of my house
You are a bad god



Go and whisper on some other pillow
Do not lift your snake head in my house
Do not bite any more beautiful people



You plastic crab
Why is your oracle always the same in the end?
What rake off for you from the cemeteries?



Your silences are bad
When you are needed, dumb with the malice of the clairvoyant insane
The stars whisper together in your breathing
World's emptiness oceans in your mouthpiece
Stupidly your string dangles into the abysses
Plastic you are then stone a broken box of letters
And you cannot utter
Lies or truth, only the evil one
Makes you tremble with sudden appetite to see somebody undone



Blackening electrical connections
To where death bleaches its crystals
You swell and you writhe
You open your Buddha gape
You screech at the root of the house



Do not pick up the detonator of the telephone
A flame from the last day will come lashing out from the telephone
A dead body will fall out of the telephone



Do not pick up the telephone

I love Haggis!

Robbie Burns day is just around the corner!

Maya

Still I Rise

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.

Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?

Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

I love it, Bri.

I've seen Maya speak twice. She's just mesmerizing.

Such a very amazing link!

I just love Stephen Crane:



In the Desert

In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, "Is it good, friend?"
"It is bitter – bitter", he answered,
"But I like it
Because it is bitter,
And because it is my heart."

I stood upon a high place,
And saw, below, many devils
Running, leaping, and carousing in sin.
One looked up, grinning,
And said, "Comrade! Brother!"

-Stephen Crane I Stood Upon a High Place



See? Poems should be short and sweet.

Zodiac
Words by Richie Havens

There is a secret that has been kept from man 2,000 years
There is a secret that has been kept from man 2,000 years
And that secret is that there are only
twelve people on the earth at any given time
That there are only twelve people on the earth at any given time

And these people have been symbolized
Down through the ages of mankind, by many symbols

They were called:
Twelve tribes of Israel
Twelve sons of Jacob
Twelve gates of Heaven
Twelve inches in a foot
Twelve months to the year
Twelve men on the jury
Twelve days of Christmas
Twelve disciples of Jesus Christ
Twelve manners of fruit on the tree by the side of the river
Good for the healing of all nations
Good for the healing of all nations

And these people are
And these people are:
Aries, who is… I am, ain’t I?
Taurus, who is… I have, don’t I?
Gemini, who is… I think, I think…
I think so much I wish I could stop thinking
Cancer, who is… I feel, I feel,
and there are no words to describe how I feel
Leo, who is… I will, o’er my will
Virgo, who is… I analyze, I analyze
Libra, who is… I balance, I balance, I balance
between those who know and those who do not know
Scorpio, who is… I desire, I desire, I desire…
Sagittarius, who is… I see, I see… I see so much in
what I’m doing I cannot finish what I’m doing
Capricorn, who is… I use, I use… I use all of
my experience in order to survive
Aquarius, who is… I know, I know…
why do I know when no one around me knows what I know
Pisces, who is… I believe, I believe…
or there is nothing for me to believe in

These are the twelve people who inherit the earth
You are one of them and there are only eleven others
And if you get to know the eleven others
You will be able to get along with everyone all over the world…
all over the world

I have a thousand brilliant lies
For the question:

How are you?

I have a thousand brilliant lies
For the question:

What is God?

If you think that the Truth can be known
From words,

If you think that the Sun and the Ocean

Can pass through that tiny opening Called the mouth,

O someone should start laughing!
Someone should start wildly Laughing –Now!

-by Daniel Ladinsky

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light


Dylan Thomas

MOAR DYLAN!!!

In my craft or sullen art
Exercised in the still night
When only the moon rages
And the lovers lie abed
With all their griefs in their arms,
I labor by singing light
Not for ambition or bread
Or the strut and trade of charms
On the ivory stages
But for the common wages
Of their most secret heart.

Not for the proud man apart
From the raging moon I write
On these spindrift pages
Nor for the towering dead
With their nightingales and psalms
But for the lovers, their arms
Round the griefs of the ages,
Who pay no praise or wages
Nor heed my craft or art.

And another Rilke

Solemn Hour

Whoever now weeps somewhere in the world,
weeps without reason in the world,
weeps over me.

Whoever now laughs somewhere in the night,
laughs without reason in the night,
laughs at me.

Whoever now wanders somewhere in the world,
wanders without reason out in the world,
wanders toward me.

Whoever now dies somewhere in the world,
dies without reason in the world,
looks at me.

Mihai Eminescu
--------------------------------------------------------------------------------
And If...

And if the branches tap my pane
And the poplars whisper nightly,
It is to make me dream again
I hold you to me tightly.
And if the stars shine on the pond
And light its sombre shoal,
It is to quench my mind's despond
And flood with peace my soul.

And if the clouds their tresses part
And does the moon outblaze,
It is but to remind my heart
I long for you always.

JOURNEY

Ah, could I lay me down in this long grass
And close my eyes, and let the quiet wind
Blow over me--I am so tired, so tired
Of passing pleasant places! All my life,
Following Care along the dusty road,
Have I looked back at loveliness and sighed;
Yet at my hand an unrelenting hand
Tugged ever, and I passed. All my life long
Over my shoulder have I looked at peace;
And now I fain would lie in this long grass
And close my eyes.
Yet onward!
Cat birds call
Through the long afternoon, and creeks at dusk
Are guttural. Whip-poor-wills wake and cry,
Drawing the twilight close about their throats.
Only my heart makes answer. Eager vines
Go up the rocks and wait; flushed apple-trees
Pause in their dance and break the ring for me;
Dim, shady wood-roads, redolent of fern
And bayberry, that through sweet bevies thread
Of round-faced roses, pink and petulant,
Look back and beckon ere they disappear.
Only my heart, only my heart responds.
Yet, ah, my path is sweet on either side
All through the dragging day,--sharp underfoot
And hot, and like dead mist the dry dust hangs--
But far, oh, far as passionate eye can reach,
And long, ah, long as rapturous eye can cling,
The world is mine: blue hill, still silver lake,
Broad field, bright flower, and the long white road
A gateless garden, and an open path:
My feet to follow, and my heart to hold.

Edna St. Vincent Millay

MOAR Edna St. Vincent Millay!!

Well, I have lost you; and I lost you fairly;
In my own way, and with my full consent.
Say what you will, kings in a tumbrel rarely
Went to their deaths more proud than this one went.
Some nights of apprehension and hot weeping
I will confess; but that's permitted me;
Day dried my eyes; I was not one for keeping
Rubbed in a cage a wing that would be free.
If I had loved you less or played you slyly
I might have held you for a summer more,
But at the cost of words I value highly,
And no such summer as the one before.
Should I outlive this anguish—and men do—
I shall have only good to say of you.

Civilization
by Carl Phillips

There's an art
to everything. How
the rain means
April and an ongoingness like
that of song until at last

it ends. A centuries-old
set of silver handbells that
once an altar boy swung,
processing...You're the same
wilderness you've always

been, slashing through briars,
the bracken
of your invasive
self. So he said,
in a dream. But

the rest of it—all the rest—
was waking: more often
than not, to the next
extravagance. Two blackamoor
statues, each mirroring

the other, each hoisting
forever upward his burden of
hand-painted, carved-by-hand
peacock feathers. Don't
you know it, don't you know

I love you, he said. He was
shaking. He said:
I love you. There's an art
to everything. What I've
done with this life,

what I'd meant not to do,
or would have meant, maybe, had I
understood, though I have
no regrets. Not the broken but
still-flowering dogwood. Not

the honey locust, either. Not even
the ghost walnut with its
non-branches whose
every shadow is memory,
memory...As he said to me

once, That's all garbage
down the river, now. Turning,
but as the utterly lost—
because addicted—do:
resigned all over again. It

only looked, it—
It must only look
like leaving. There's an art
to everything. Even
turning away. How

eventually even hunger
can become a space
to live in. How they made
out of shamelessness something
beautiful, for as long as they could.

For Dani
 

Because I tried to quote it to her whilst cabbaged.
I think I did quite well, given my state, but misquoting will never do any poem justice.

Jon Stallworthy also wrote The Trap, which affected me very much on first reading. In the same way horror or pornography does. It stands out in my memory alongside the paintings of Salidor Dali, Lord of the Flies and James Herbert's The Fog.

This one I read while older.
And being born in 1972, just appreciated for it's tone and cadence.

A Poem About Poems About Vietnam

The spotlights had you covered (thunder
in the wings). In the combat zones
and in the Circle, darkness. Under
the muzzles of the microphones
you opened fire, and a phalanx
of loudspeakers shook on the wall;
but all your cartridges were blanks
when you were at the Albert Hall.

Lord George Byron cared for Greece,
Auden and Cornford cared for Spain,
confronted bullets and disease
to make their poems' meaning plain;
but you - by what right did you wear
suffering like a service medal,
numbing the nerve that they laid bare,
when you were at the Albert Hall?

The poets of another time -
Owen with a rifle butt
between his paper and the slime,
Donne quitting her pillow to cut
a quill - knew tha in love and war
dispatches from the front are all.
We believe them, they were there,
when you were at the Albert Hall.

Poet, they whisper in their sleep
louder from underground than all
the mikes that hung upon your lips
when you were at the Albert Hall.


NB - Capital letters copied from the original. The Albert Hall is a large, prestigious and historical venue in London.

one of my favorites

The Young British Soldier
By Rudyard Kipling


When the 'arf-made recruity goes out to the East
'E acts like a babe an' 'e drinks like a beast,
An' 'e wonders because 'e is frequent deceased
Ere 'e's fit for to serve as a soldier.
Serve, serve, serve as a soldier,
Serve, serve, serve as a soldier,
Serve, serve, serve as a soldier,
So-oldier OF the Queen!

Now all you recruities what's drafted to-day,
You shut up your rag-box an' 'ark to my lay,
An' I'll sing you a soldier as far as I may:
A soldier what's fit for a soldier.
Fit, fit, fit for a soldier . . .

First mind you steer clear o' the grog-sellers' huts,
For they sell you Fixed Bay'nets that rots out your guts --
Ay, drink that 'ud eat the live steel from your butts --
An' it's bad for the young British soldier.
Bad, bad, bad for the soldier . . .

When the cholera comes -- as it will past a doubt --
Keep out of the wet and don't go on the shout,
For the sickness gets in as the liquor dies out,
An' it crumples the young British soldier.
Crum-, crum-, crumples the soldier . . .

But the worst o' your foes is the sun over'ead:
You must wear your 'elmet for all that is said:
If 'e finds you uncovered 'e'll knock you down dead,
An' you'll die like a fool of a soldier.
Fool, fool, fool of a soldier . . .

If you're cast for fatigue by a sergeant unkind,
Don't grouse like a woman nor crack on nor blind;
Be handy and civil, and then you will find
That it's beer for the young British soldier.
Beer, beer, beer for the soldier . . .

Now, if you must marry, take care she is old --
A troop-sergeant's widow's the nicest I'm told,
For beauty won't help if your rations is cold,
Nor love ain't enough for a soldier.
'Nough, 'nough, 'nough for a soldier . . .

If the wife should go wrong with a comrade, be loath
To shoot when you catch 'em -- you'll swing, on my oath! --
Make 'im take 'er and keep 'er: that's Hell for them both,
An' you're shut o' the curse of a soldier.
Curse, curse, curse of a soldier . . .

When first under fire an' you're wishful to duck,
Don't look nor take 'eed at the man that is struck,
Be thankful you're livin', and trust to your luck
And march to your front like a soldier.
Front, front, front like a soldier . . .

When 'arf of your bullets fly wide in the ditch,
Don't call your Martini a cross-eyed old bitch;
She's human as you are -- you treat her as sich,
An' she'll fight for the young British soldier.
Fight, fight, fight for the soldier . . .

When shakin' their bustles like ladies so fine,
The guns o' the enemy wheel into line,
Shoot low at the limbers an' don't mind the shine,
For noise never startles the soldier.
Start-, start-, startles the soldier . . .

If your officer's dead and the sergeants look white,
Remember it's ruin to run from a fight:
So take open order, lie down, and sit tight,
And wait for supports like a soldier.
Wait, wait, wait like a soldier . . .

When you're wounded and left on Afghanistan's plains,
And the women come out to cut up what remains,
Jest roll to your rifle and blow out your brains
An' go to your Gawd like a soldier.
Go, go, go like a soldier,
Go, go, go like a soldier,
Go, go, go like a soldier,
So-oldier of the Queen!

Samurai Song
by Robert Pinsky

When I had no roof I made
Audacity my roof. When I had
No supper my eyes dined.

When I had no eyes I listened.
When I had no ears I thought.
When I had no thought I waited.

When I had no father I made
Care my father. When I had
No mother I embraced order.

When I had no friend I made
Quiet my friend. When I had no
Enemy I opposed my body.

When I had no temple I made
My voice my temple. I have
No priest, my tongue is my choir.

When I have no means fortune
Is my means. When I have
Nothing, death will be my fortune.

Need is my tactic, detachment
Is my strategy. When I had
No lover I courted my sleep.

Dream where I meet myself
Lynn Emanuel

Even the butter's a block of sleazy light. I see that first,
as though I am a dreary guest come to a dreary supper.
On her table, its scrubbed deal trim and lonely as a cot,
is food for one, and everything we've ever hated: a plate of pallid
grays and whites is succotash and chops are those dark shapes glaring up at us.
Are you going to eat this? I want to ask; she's at the stove dishing up,
wearing that apron black and stiff as burned bacon, reserved for maids and waitresses.
The dream tells us: She is still a servant. Even here.
So she has to clean our plate. It's horrible to watch.
She pokes the bits of stuff into her mouth. The roll's glued shut like a little box
with all that sticky butter. Is this all living gets you? The room, a gun stuck in your back?
Don't move, It says. She's at the bureau lining up bobby pins.
Worried and fed up I wander to the window
with its strict bang of blind. My eyes fidget and scratch.
And then I see myself: I am this dream's dog. I want out.

Guilty at the Rapture
 

Guilty at the Rapture

by

Keith Taylor





All things good would rise

into air, pulled from dirt and sky,

from cars left driverless

below, slamming into trees



That would be my first clue.

On my ride home from the river--

burning on my gold Schwinn

and sucking hard on a mint to smother

the newspaper cigarette I'd just smoked

in a stand of scrub willow--

I would have to dodge

machines abandoned by vanished Christians,

glorified while driving back from work

after centuries of trial.



I would know a final loneliness

before I screamed through the back door

and found supper smoldering over gas.

My parents gone. Even my sister--

only a hair less guilty--

called to her celestial chorus.

I would be alone in a world

of smokers, crooks, murderers,

of moviegoers, gamblers and sex fiends,

left, at last, alone in a world

without one hope of grace.

.

Weird. I just wrote a rapture haiku.

He wrote that 30 years ago, but it was the title poem of a 2006 publication

http://www.amazon.com/s/ref=nb_sb_no...at+the+rapture