On a date with Mother Earth!

You're shifting your *MOTHER*?! PERVERT!

L.O.L.

On a date with Mother Earth!

You're shifting your *MOTHER*?! PERVERT!

L.O.L.

I've decided The Rubberbandits are a bit out there for me.

Took me a minute.

Dude... and by "dude", I mean "Grav", not that *other* dude, the archaeologist.

Dude, you crack me up.

"I've got a horse outside".... Ok, maaaybe you don't like pretty horsies. Ok. And, I'll admit, I find the masks off-putting. Jarring. Unnecessary, unless they're in some kind of musician-protection-program.

Also, Griff:

Gadd-daaaaaaaaayum~!

Thank you!!!

earworm, *shrug*
eyeworm? oh yeah.



Possibly NSFW

:devil:

Dear Big V,

re: Boom Shack-a-lak

Thank you. Thank you so very much.:jig:

Sincerely,

Gravdigr

P.S. Damn you. That one ain't going anywhere for a while.:mad:

P.P.S. If ya ain't heard that loud, try it. I recommend ~1000 watts.:band::devil:

This has been in my head all day:

Masters of musical absurdism. That guitar work really nails the "sounds like two songs playing at the same time that don't really go together" effect, that Talking Heads and other post- bands have brought into mainstream awareness. For, like, non-prog fans.

Don't know if this is an "earworm" but I'll be god-danged if this isn't a masterpiece in composition, from start to finish.

those vocal harmony chords are like hidden detail in painting of olden days

:devil:

Dis been in m'haid lately:



Did another band cover this tune? Seems like I remember a lower, raspier David Coverdale-ish-sounding voice on the 'my sweet Nicole' part.

I didn't find a whole lot of info on it.

where layer after layer of mostly translucent paint, with a tiny amount of pigment, are laid down on top of each other, so the sum effect has a depth you couldn't have produced in one layer