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Creative Expression Post your own works and chat about them |
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#1 |
erika
Join Date: Apr 2006
Location: "the high up north"
Posts: 6,127
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Geez, think youve got enough cymbals? Youve got more than peart!
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not really back, you didn't see me, i was never here shhhhhh |
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#2 |
Snowflake
Join Date: Mar 2006
Location: Dystopia
Posts: 13,136
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Everything in this setup serves a specific purpose: bilateral redundancy.
Everything has a functional symmetry: my snare is directly in front of me, with a bass drum pedal either side. My 10" and 12" toms are directly in front of that. The right and left hands each have a group consisting of: 13" high-hats, a 12" china, and an 18" crash. To the left of my left-hand high-hat there is a 10" snare (or high tom). To the right of my right-hand high-hat there is a 14" tom. The right-hand side also has an 18" ride and a 16" crash; ideally my left-hand side would have these options as well (pending space/hardware constraints). The purposes of this setup are to encourage balance between my left and right hands (specifically to encourage my left hand technique), and to provide a symmetry to encourage balanced left and right foot patterns as I develop double bass technique. Oh, and that big thing right in the middle is a 22" china with a 10" splash upside-down directly on top of it; a dark, trashy sound with no sustain. It's not really necessary, but I have a cymbal stand on the top of my double-tom mount. At a gig, I would probably just have a 12" splash there. Are you kidding me? This is Peart's signature Paragon (Sabian) setup:
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****************** There's a level of facility that everyone needs to accomplish, and from there it's a matter of deciding for yourself how important ultra-facility is to your expression. ... I found, like Joseph Campbell said, if you just follow whatever gives you a little joy or excitement or awe, then you're on the right track. . . . . . . . . . . . . . . . . . . . . . . . . . . Terry Bozzio |
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