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Old 03-29-2007, 05:04 PM   #31
jinx
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Up the Beach - Janes Addiction
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Old 03-30-2007, 10:55 AM   #32
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Quote:
Originally Posted by lumberjim View Post
that came from a tom jones song, i thought.
The first one may have - hooked on a feeling - is that by tom jones.

The second is from the Was not was song.
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Old 03-30-2007, 11:03 AM   #33
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Great Gig In The Sky - Pink Floyd
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Old 03-30-2007, 11:04 AM   #34
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Sigur Ros
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Old 03-30-2007, 11:11 AM   #35
Shawnee123
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parts of Mas Que Nada--Brasil 66
(what a kick ass song!)
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Old 03-30-2007, 11:21 AM   #36
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Quote:
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Great Gig In The Sky - Pink Floyd
Aw crap. That beats my Rubber Biscuit.

Edit: And you know, it makes me wonder how that song was done. Did they write the "vocals" as part of the overall musical piece and then find someone to sing it? Or did they just let the obviously talented woman come in and just do what she wanted, they they put their music to it after? Or was it like stage directions *insert amazing vocals here.* I should google this.

Edit again: Wikipedia has a cool article on it. She just came in and improvised based on very vague instructions from the band. Only got paid 30 pounds for it, and sued decades later for songwriting royalties and won.

Last edited by glatt; 03-30-2007 at 11:35 AM.
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Old 03-30-2007, 11:34 AM   #37
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Peter Frampton's guitar talking
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Old 03-30-2007, 11:37 AM   #38
Shawnee123
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There is no dark side of the moon really. Matter of fact it's all dark.
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Old 03-30-2007, 11:41 AM   #39
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Monk chants.
Monk chants are words. Just because they are in Latin and you don't understand what "Pie Iesu Domine, dona eis requiem" means doesn't make them not words.

My favorite non-lyric lyrics are from Hocus Pocus by Focus, which also gets the best song and group title combo award
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Old 03-30-2007, 11:41 AM   #40
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Quote:
Originally Posted by Cloud View Post
Peter Frampton's guitar talking
It's fascinating how that actually works. The guitar plugs into a little black box, with a 50 watt amp and a small speaker, sealed inside. The box has a plastic tube which the output from the speaker is forced out of. The operator tapes the tube to their microphone, and inserts it into their mouth. Now, the guitar is being amplified to the inside of their mouth. As the operator changes the shape of their mouth, the output from the guitar is influenced by the cavity it is being broadcast into. The resulting sound is captured by the vocal mic, and is heard through the main PA system.
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Old 03-30-2007, 11:46 AM   #41
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Awesome description. I had always heard it was a mouth thing, but not the details. I thought the guitar had nothing to do with it. I thought it was just an effect put on the microphone's signal after normal singing. This is way cooler.
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Old 03-30-2007, 11:51 AM   #42
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My brother used to have one. I played around with running a drum machine through it.

Later on, I heard Carmine Appice would run his snare drum through a wah-wah pedal.
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There's a level of facility that everyone needs to accomplish, and from there
it's a matter of deciding for yourself how important ultra-facility is to your
expression. ... I found, like Joseph Campbell said, if you just follow whatever
gives you a little joy or excitement or awe, then you're on the right track.

. . . . . . . . . . . . . . . . . . . . . . . . . . Terry Bozzio
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Old 03-30-2007, 11:51 AM   #43
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Monk chants are words. Just because they are in Latin and you don't understand what "Pie Iesu Domine, dona eis requiem" means doesn't make them not words.
That's not what these guys are saying...



I used to put this cd in to fall asleep to.
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Old 03-30-2007, 08:32 PM   #44
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Prayers in Tibetan or Sanskrit or whatever, but they are still prayers. They aren't just toning, although that technique is also used in meditation.

I know a bunch of Native American chants ... some of them are of the "Hey Ya" variety, but others have translatable lyrics.
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Old 03-30-2007, 08:50 PM   #45
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Quote:
Originally Posted by wolf View Post
Prayers in Tibetan or Sanskrit or whatever, but they are still prayers. They aren't just toning, although that technique is also used in meditation.
Quote:
Beautifully recorded, it features the monks, each singing two and three note polyphonics from the throat, accompanied by occasional percussion and ceremonial horns in trance-inducing meditations to the Buddhist deities Yamantaka and Mahakala
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