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Old 10-14-2007, 09:10 PM   #1
Undertoad
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If it's distracting to the song, it doesn't belong and the player should use a technique to avoid it.

Avoiding the noise is a large part of being a good bass player, since the winding on bass strings is larger and heavier. One way is to turn the treble down on the bass until the sound is just a bunch of mud. The other way is to use strings that haven't been changed in 20 years and eat greasy fried chicken just before every gig. James Jamerson, maybe the most important bass player in history, used that second technique.
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Old 10-14-2007, 10:06 PM   #2
Flint
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Quote:
James Jamerson
aka "the hook" ... because he played with one finger
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btw: I read "scratchy noise" as "scratchy nose in between notes"
...because I'm always fiddling about with one hand while holding it's stick under my arm and playing the time and accents with the other one.
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There's a level of facility that everyone needs to accomplish, and from there
it's a matter of deciding for yourself how important ultra-facility is to your
expression. ... I found, like Joseph Campbell said, if you just follow whatever
gives you a little joy or excitement or awe, then you're on the right track.

. . . . . . . . . . . . . . . . . . . . . . . . . . Terry Bozzio
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Old 10-14-2007, 10:19 PM   #3
SteveDallas
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Quote:
Originally Posted by Undertoad View Post
Avoiding the noise is a large part of being a good bass player, since the winding on bass strings is larger and heavier. One way is to turn the treble down on the bass until the sound is just a bunch of mud. The other way is to use strings that haven't been changed in 20 years and eat greasy fried chicken just before every gig. James Jamerson, maybe the most important bass player in history, used that second technique.
You didn't mention which method you prefer.
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Old 10-14-2007, 10:34 PM   #4
Flint
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Quote:
Originally Posted by SteveDallas View Post
You didn't mention which method you prefer.
Oh good golly miss molly, the "things-you-mentioned-in-your-post" Police are here.
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******************
There's a level of facility that everyone needs to accomplish, and from there
it's a matter of deciding for yourself how important ultra-facility is to your
expression. ... I found, like Joseph Campbell said, if you just follow whatever
gives you a little joy or excitement or awe, then you're on the right track.

. . . . . . . . . . . . . . . . . . . . . . . . . . Terry Bozzio
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Old 10-15-2007, 10:28 PM   #5
Elspode
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Quote:
Originally Posted by Undertoad View Post
Avoiding the noise is a large part of being a good bass player, since the winding on bass strings is larger and heavier. One way is to turn the treble down on the bass until the sound is just a bunch of mud. The other way is to use strings that haven't been changed in 20 years and eat greasy fried chicken just before every gig. James Jamerson, maybe the most important bass player in history, used that second technique.
...and died relatively young. Of course, the booze and drugs may have contributed somewhat.

What a killer bassist he was. If you haven't seen it, you must watch "Standing in the Shadows of Motown", the documentary about the Funk Brothers, the studio musicians who backed most of the great music to come out of Detroit in the golden era.
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Old 10-15-2007, 10:30 PM   #6
Elspode
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Re: finger squeaks - I posted a rough mix of a track Lane and I have done that is absolutely *ruined* by the squeaking of my fingers on the guitar as I slide up to a chord. The slide is necessary, the squeak makes it all but unusable.
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