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Technology Computing, programming, science, electronics, telecommunications, etc. |
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#1 | ||||||
Goon Squad Leader
Join Date: Nov 2004
Location: Seattle
Posts: 27,063
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To make a picture you need the light to hit the sensor (or film). The more light the more picture, so to speak. There are at least four ways to increase the amount of light on the sensor. Make the camera look longer (exposure / shutter speed). Make the camera look through a bigger hole (aperture / f-stop). Make the camera more sensitive to light (ISO / "film" speed). Make the scene brighter (flash).
As you can imagine in any system with this many moving parts, not to mention the moving subject, there are different ways to reach the same goal. The different aspects of manipulating the light and the camera have various trade offs. The trade off for slow shutter speed is blur. The light from the subject smears across the sensor. This is called motion blur. The trade off for high sensitivity to light is loss of detail. In digital cameras this is called noise and in film cameras this is called grain. The trade off for low aperture is a narrower range of distance that the camera considers in focus. This is called a shallow depth of field. The trade off for flash is harsh lighting. Call this what you like, but we don't see the world with our eyes (being more sensitive to a wider range of brightness) like a camera does. Quote:
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Some thoughts not mentioned yet... Does your camera have a motor drive mode? A mode that takes a series of pictures, 3, 4, 5, or for as long as you hold the shutter? Remember electrons are cheap and you can take a series of pics and perhaps you'll get a keeper from that set of 4. On my camera it's in the same place as drive mode or timer mode. I picked my camera (Canon A710IS) partly because the reviews showed that it focused quickly and then took the picture quickly. It is also very quick (about a second) from power off to picture taken. Actually, this was my top deciding factor. I keep the camera in a quick draw holster practically, and when the picture appears in front of me, I can capture it (most of the time). There is wide variability in this aspect of digital cameras. The detailed review sites can usually give you this kind of apples to apples data for comparison. What I'm suggesting is that perhaps this is not the right camera for the job. Low light, high speed action shots. I dunno. You might have to make some accommodations in your photography techniques. Also, if the boy is usually the same distance from you (and the camera) within a certain range, you might consider setting the camera to fixed focus mode. On my camera this is available to me in Manual mode. I dial in how far away is "focused" and then make sure that distance is between me and the subject. I move myself, my hands, my camera, the subject, etc... to match the focus length. Big bonus here: Zero autofocus lag. Zero. You should also check to see what plan your camera is using for metering. I mean what part of the scene does the camera use to determine whether or not the subject is in focus. These are also sometimes called modes. Portrait mode, or scenery mode. It might be the brightest spot in the frame, and that may or may not be the thing you want the camera to consider as "focus here". Experimentation (and reading of your manual) is in order here.
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#2 | |
™
Join Date: Jul 2003
Location: Arlington, VA
Posts: 27,717
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Try it both ways and see if you prefer the look of motion blur to the look of being out of focus. Motion blur sometimes looks more natural and can convey motion, so BigV has a good point. |
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