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in the Hour of Scampering
Join Date: Jan 2001
Location: Jeffersonville PA (15 mi NW of Philadelphia)
Posts: 4,060
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Quote:
My copy of Dark Side was rather worn by then--it had been purchased *before* the Dark Side tour. I had the good fortune to see Floyd in Philly twice: once at the Spectrum for the Dark Side tour, and once before that at the Tower for the Meddle tour--up close and personal ! So I used "Wish You Were Here" instead. Mucho dynamic range. Serious bass. Appreciable high-end. There was a time when tracks that had bass lines near the resonant frequency of my laser reflector got a lot of play. The reflector was a first-surface mirror glued to a latex sheet stretched loosely on an embroidery hoop. Rick Wakeman's "Six Wives" worked pretty well on that. Any random vis plugin for XMMS/WinAmp gives you a better light show these days. But that was then, this is now. Also good as test data are some of the tracks on Beaver and Krause albums "Gandharva" and "In a Wild Sanctuary". "By Your Grace" from Ghandarva will give the stereo imaging a good workout. Gerry Mulligan--baritone sax, Bud Shank --flute and tenor sax, Gail Laughton--harps (two harps at once!), Howard Roberts-guitar, Paul Beaver--pipe organ and Bernard Krause--Moog synth, recorded in Grace Catherdral--a space 150 feet long and 90 feet high, with a seven-second decay time. 12 mikes fed a 16-track recorder; heady stuff for 1971. The musicians having hand-held instrumens walked though the space while recording. Serious nostalgia/trivia points to those who know what B&C's *first* album was.
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"Neither can his Mind be thought to be in Tune,whose words do jarre; nor his reason In frame, whose sentence is preposterous..." |
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