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Old 10-08-2011, 08:47 AM   #1
CaliforniaMama
I wonder . . .
 
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When I first saw this image of this sculpture, I was struck right away by the femininity of the motion, the graceful gestures and the yearning to break free.

Then I found the sculptor's website.

I looked at the image there of the same sculpture and I could not believe it was the same piece. Where was the grace and motion? It appears to be more of a struggle and a triumphant release.

It is amazing the difference a perspective can make . . .
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Old 10-08-2011, 09:28 AM   #2
footfootfoot
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Quote:
Originally Posted by CaliforniaMama View Post
When I first saw this image of this sculpture, I was struck right away by the femininity of the motion, the graceful gestures and the yearning to break free.

Then I found the sculptor's website.

I looked at the image there of the same sculpture and I could not believe it was the same piece. Where was the grace and motion? It appears to be more of a struggle and a triumphant release.

It is amazing the difference a perspective can make . . .
I photographed artwork for over a decade and I will vouch for this. Three dimensional work is very hard to photograph because you have to translate a piece meant to be seen 'in the round' into a single, two dimensional image. It is as difficult a task as an artful translation of language.
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Old 10-08-2011, 02:22 PM   #3
Gravdigr
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Quote:
Originally Posted by CaliforniaMama View Post
When I first saw this image of this sculpture, I was struck right away by the femininity of the motion, the graceful gestures and the yearning to break free.
So was I. It needs boobs.

ETA:
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Old 10-08-2011, 04:47 PM   #4
BigV
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Quote:
Originally Posted by CaliforniaMama View Post
When I first saw this image of this sculpture, I was struck right away by the femininity of the motion, the graceful gestures and the yearning to break free.
--snip
When I first saw this image of this sculpture, I was struck right away by the frozen action of the piece, the agonized expression and the yearning to break free by Han Solo.
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