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Arts & Entertainment Give meaning to your life or distract you from it for a while |
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03-25-2005, 05:39 PM | #1 |
Radical Centrist
Join Date: Jan 2001
Location: Cottage of Prussia
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Next Nik Everett Group appearance
Thursday May 12, 8:30p, Tin Angel Philadelphia.
We have installed a new drummer, Bobby Carburetor who is excellent, a natural, and should propel us along quite nicely. It's gonna be a good act, we're gonna entertain the people! As usual, we'll be "too loud for the room"! |
03-25-2005, 10:03 PM | #2 |
to live and die in LA
Join Date: Feb 2003
Location: Los Angeles
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when's the first Los Angeles gig?
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03-26-2005, 06:50 AM | #3 |
still says videotape
Join Date: Feb 2001
Posts: 26,813
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Maybe you should be efforting that Smoothy.
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03-26-2005, 08:26 AM | #4 |
Radical Centrist
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Location: Cottage of Prussia
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Really man...! The airfare is not that much.
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03-26-2005, 03:42 PM | #5 | |
lobber of scimitars
Join Date: Jul 2001
Location: Phila Burbs
Posts: 20,774
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Quote:
This is just entirely too cool!! I'll have to see if I can do anything about getting off work for the gig!
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03-26-2005, 04:09 PM | #6 |
Radical Centrist
Join Date: Jan 2001
Location: Cottage of Prussia
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Superb Wolf! Rob seems like a very good guy (he did not violate the no-assholes band policy) and is definitely quite talented.
SM, we are still looking for the ideal keys player, so if you'd rather play the semi-pro circuit, with the occasional lowbrow watering hole, here's that opportunity! |
04-26-2005, 11:38 PM | #7 |
Radical Centrist
Join Date: Jan 2001
Location: Cottage of Prussia
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Another date announced: World Cafe Live (Upstairs), Saturday July 8. Co-bill with Cliff Hillis who I am excited to hear as well.
It's only $6 to get in that night, but fries are $10 at the Cafe. |
04-26-2005, 11:55 PM | #8 | |
to live and die in LA
Join Date: Feb 2003
Location: Los Angeles
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Quote:
Of course, you'll need to include airfare for my keyboard tech too. This will be fun! see you at rehearsal! -sm
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04-27-2005, 12:16 AM | #9 |
Radical Centrist
Join Date: Jan 2001
Location: Cottage of Prussia
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Aw cmon!! My buddy has a Casio and I have an old Peavey 15" combo amp and an ironing board. We'll be getting $25 per for the small shows and $100 for larger ones. Maybe you can make a little more if you hawk CDs after the show.
And the songs are excellent and we entertain the people. I tellya. I was mocked again tonight by my buddy who said that I smile so much on stage. I feel lucky and feel like it's a privilege to be there. |
04-27-2005, 01:30 AM | #10 |
to live and die in LA
Join Date: Feb 2003
Location: Los Angeles
Posts: 2,090
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you know what? that rock! i can't tell you how many times I look with unabashed envy at guys who don't have to make their living playing, and as a result they just soak in the awesomeness of every moment of playing.
Long live the weekend warrior kick ass rock and roll hobby players.
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04-27-2005, 07:04 AM | #11 |
Radical Centrist
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04-27-2005, 11:56 AM | #12 |
lurkin old school
Join Date: Oct 2001
Location: Minnesota
Posts: 2,796
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Coast to coast talk is fine, but lets put together a tour with stops in the flyover zones.
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04-27-2005, 02:08 PM | #13 | |
bent
Join Date: Feb 2004
Location: under the weather
Posts: 2,656
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Quote:
Let's make a big Cellar band. Any style is good. We could have a yearly gig/BBQ/beer bash. I am envious of UT and sm -- it'd be nice to have regular paying gigs. I'm not sure why our band hasn't connected yet. I know the style of music hinders us as far as widespread acceptance, and we lack the firebreathing frontman that would get us noticed in wider metal circles, but we always get props for our shows. I wish I could soak in the awesomeness OR get paid. I rarely get to do either -- too worried about not screwing up. How do you regularly performing musicians overcome the technical aspect of playing, clear your minds and just kick ass onstage?
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04-27-2005, 03:57 PM | #14 | |
to live and die in LA
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Location: Los Angeles
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Quote:
I'm a big believer in the 80% rule - the most difficult thing you attempt in a live setting should only be 80% of what you're able to do in personal practice. Leave yourself that level of cushion to account for nerves, bad sound, a drummer dragging a bit, the hot girl in the front row winking at you, any of a thousand things that will make the live performance more difficult than the private practice. -sm
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04-27-2005, 05:23 PM | #15 |
Radical Centrist
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I'm totally an ear/feel player and so for me, practice is getting to the point where I know the song completely and can turn my brain off to the mechanical, and just turn on to the feel, the dynamics and such. Bass is not a chops-oriented instrument, and it shouldn't be IMO. That extra 20% is still needed though, because the bass is the foundation and has to be dependable if the band is to work right.
I am utterly self-conscious in real life, but on stage it all disappears and I am comfortable. Don't know why. |
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